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Lai’s “crosstalk” (xiangsheng) plays, starting with the groundbreaking That Evening, We Performed Crosstalk (1985) have virtually forged a new theatrical genre. These hugely popular works have resuscitated the dying traditional performing art form of Xiangsheng. His epic 8 hour A Dream Like A Dream (2000), which has been compared to Peter Brook’s Mahabharata, “may be the most cosmic piece of theater in the Chinese-language canon,” revealing Buddhist and universal themes of suffering and recurring life cycles in a unique performance format devised by Lai that places the audience in the center of the space, with performance surrounding audience.